91����

“T��� Notion of the Intelligentsia in Russian Cultural History,” The New Cambridge History of Russian Literature, Eds. Simon Franklin, Rebecca Reich and Emma Widdis (Cambridge, UK: Cambridge University Press, Projected 2022).

“Chernyshevsky’s Vera Pavlovna as the Power Station for the Modern Cultural Economy,” Energy Aesthetics: Force, Flow, and Entropy in Russian Culture, Eds. Jilian Porter and Maya Vinokour. Projected for 2022.

“Realism in the Cultural Economy of Nineteenth-Century Press,” Russkii realism XIX veka: Mimesis, politika, ekonomika: sbornik statei (Russian Realism in the Nineteenth Century), Eds. Aleksei Vdovin, Ilya Kliger et al. (Moscow: NLO, 2020), 378-407.

“Women’s Prose in Russia’s Modernizing Cultural Economy,” Skladchina: Sbornik Statei k 50-letiiu Mikhaila Makeeva (Festschrift for Moscow State University Professor Mikhail Makeev (Moscow: OGI, 2019), 98-121.

“Literaturnye predpriiatiia Nekrasova 1840-kh godov i formirovanie diskursa rossiiskoi publichnoi sfery,” [The Role of Nikolai Nekrasov’s Literary Enterprises in the Development of Russian Public Discourse] in Karabikha: Istoriko-literaturnyi almanakh. Vyp. 9. Yaroslavl, 2016.

“T��� Culture of Print,” in Dostoevsky in Context, Eds. Deborah Martinsen and Olga Maiorova (Cambridge, UK: Cambridge University Press, 2016), 221-227.

“A Stutterer’s Mis-Steppe: Chekhov’s Writing in Institutional Context,” The Bulletin of the North American Chekhov Society vol. XIX, No. 1 (Summer 2012), 22-35.

“Turning Tricks, Baring Devices: Vasilii Rozanov as Prostitute.” Slavic and East European Journal vol. 54, no. 3 (2010), 415-432.

“Between Ideology and Desire: The Rhetoric of the Self in the Works of Nikolai Chernyshevsky and Nikolai Dobroliubov.” Slavic Review vol. 68 no. 2 (Summer 2009), 335-355.

“’I Smoke, Therefore I Am’: Smoking as Liberation in Russian Nineteenth-Century Literature and Culture,” in Smoking in Russian History. Eds. Matthew Romaniello and Patricia Starks. (New York, Routledge, 2009; Paperback 2011), 83-101.

“Between Sacrifice and Indulgence: Nikolai Nekrasov as a Model for the Intelligentsia.” Slavic Review 66.1 (Spring 2007), 45-62.

“T��� Rise of Crime and Punishment from the Air of the Media.” Slavic Review 61.1 (Spring 2002), 405-422.

“Sentimental'naia kommertsiia: Pis'ma russkogo puteshestvennika N.M. Karamzina” [The Sentimental Commerce: N.M. Karamzin’s Letters of a Russian Traveler]. Novoe literaturnoe obozrenie 25 (1997), 84-98.

“Ivan Goncharov” Europe 1789-1914: Encyclopedia of the Age of Industry and Empire. Eds. John Merriman and Jay Winter. Detroit: Charles Scribner’s Sons, 2006.

“Draping the Mannequin in Late Capitalism: Language and Commodified Subjectivity in Mad Men,” in Transcultural Studies, special issue “T��� Sense of Writing,” (Brill: Leiden, Netherlands). 2016.

“Zavetnyi mul’tfil’m: Prichiny populiarnosti ‘Cheburashki’,” in Veselye chelovechki: Kul’turnye geroi sovetskogo detstva. Eds., Il’ia Kukulin, Mark Lipovetsky, Mariia Maiofis. Moscow: Novoe literaturnoe obozrenie, 2008. 360-378.

“T��� Kamenskaia Television Series and the Conventions of Russian Television.” Kinokultura 15 (January 2007). Online journal.

“Fedor Mikhailovich Lucked Out with Vladimir Vladimirovich: The Idiot Television Series in the Context of Putin’s Culture.” Kinokultura 9 (July 2005). Online journal.

“Boris Akunin: Biobibliographical Essay.” Russian Writers Since 1980 (Dictionary of Literary Biography Series, vol. 285). Eds. Mark Lipovetsky and Marina Balina. Detroit: Gale, 2003. 3-10.

“P���ǰ��ⱹ ���DZ�����Դ�” (The Sopranos’ Breakthrough), Kriticheskaia massa 2003:3. Jointly with Sanja Lacan.